L'octa par devant pour d'avantage de douceur...

Assez récemment j'ai eu l'occasion de collaborer sur un petit shooting informel avec the one and only Shed Mojahid du fameux Hoochen Crew. Pour ceux qui connaissent le monsieur, très bien, pour ceux qui n'ont jamais entendu parler de lui, je vous invite à visiter son site http://www.shedmojahid/portfolio ainsi qu'à faire un petit tour sur Youtube avec les mots clés 'Shed Hoochen Crew'.

Il est danseur de breakdance confirmé, instructeur de danse, photographe et vidéaste...rien que ça.

Bref :)

J'étais d'un côté un peu anxieux, à l'idée de shooter un confrère photographe, mais d'un autre côté aussi super content de pouvoir faire des images avec quelqu'un que je considère comme un ami, collaborateur et artiste autant passionné que moi.

L'idée de ce shooting était double, d'une part d'essayer de sortir un peu des images 'classiques' de breakdance, souvent trop connotés 'street' et d'autre part au contraire vraiment renforcer cette image de danse de rue. J'ai donc choisi un endroit que d'autres auraient peut-être choisis pour shooter des danseur de danse classique, ou de ballet et un autre qui reflète le côté urbain.

L'éclairage est assez simple, lumière naturelle pour le ciel et l'ambiance, flash sur le sujet, bol beauté et octa, comme souvent en ce moment. J'aime la manière dont le bol beauté découpe le sujet quand on s'en sert comme backlight. Et l'octa par devant pour d'avantage de douceur :) J'expose pour le ciel, et je remplis juste ce qu'il me faut pour le sujet.

L'ensemble des images sont prises au Nikkor 14-24 f2.8, optique vraiment top, et qui a l'avantage d'avoir une grande plage de netteté, même à 2.8, à cause de son aspect grand angle.

Pour toute question, un petit message et je me ferais un plaisir de vous répondre.

Merci à Ludo  Badvirus pour le coup de main et à Yenci Kiss d'être passé venir dire bonjour...

Bon début de semaine à tous le monde et on se voit sur la route !

Shooting DJ Senateur

Hi everyone !

BIG news before I go into the post related to the shooting with DJ Senateur ! My website is done, as well as all my portfolios edited, organized and presented in a cohesive and useful manner.

You can visit my website here by clicking on this link Jonathan Vahsen Photography
I would love to have your feedback!

Ok, enough of this, let's dive into the shoot :-)

The detailed lighting diagrams are at the end of the post.
 
I met Dj Senateur while shooting an event he was performing at and we exchanged contact details. After sending the pictures of the event around, he contacted me to create 4-6 pictures for his promotional and press material 2013-2014. Creatively he gave me 100% freedom, the only thing he wanted is something classy and unique. We agreed to update eachother in two weeks.

I came up with the following ideas:
- The Jazz Singer
- The Blues Singer
- The Tower of Power
- Urban


Here are the results, each the best image per idea:

1. The Jazz Singer:
 

Jazz

 2. The Blues Singer:

Blues - Setting old military stuff on fire

3. Tower of Power:

Power - Involved a little Photoshop

4. Urban:

Urban Style

In the end he received a total of ten pictures.

 Here some behind the scenes pictures, taken by friend and fellow photographer Frédéric Swennen. He is one of Belgiums top wedding and event photographer, check him out at http://www.alohafred.com

 

As you can see I have a couple of stuff on set. 

The set btw is the old abandoned warehouses from Tour and Taxi, in downtown Brussels. I don't have a studio, so I am forced to go on location. This one is awesome, you are all alone in an old warehouse, ca. 800m² big, the atmosphear is really soothing, calm and pro-creative.

On set I had a smoke machine, some old military cans that I emptied and set on fire with different fuels and wood. In order to use the smoke machine we brought a generator, that we rented from La Fabrique 22A.

The smoke in the jazzy shot has so much density beceause there is also a lot of smoke / haze in the air, and because it is side- and backlit. I had a Quadra Ranger with a rectangular Softbox on his right as sort of mainlight, a bare speedlight behind and on the side of him, for rim and fill. Jazz and Urban have the same lighting, for the third shot I used ambient light, the Qaudra and one speedlight. For the Blues style I wanted something moodier, more dramatic, as usually blues musicians hader a hard life than the jazz musicians, there is in my mind more drama and mood in the Blueslifestyle than in a Jazzlifestyle. I did a couple of tests, but the ones I liked the most was when I used only one flash, the ambient light and the light provided by the burning cans. In the end super simple from a flash point of view.

Dj Senateur is a cool guy to photograph, I showed him moodboards beforehand and he was super into it and knew how to work the camera without apprehension. I like to shoot a bit and then review the pictures with the model, I believe it is the best way for them to see how we can change or improve the composition.

You can see the whole series here

Thank you for reading and have a nice day.

A dance shooting: Easy Swing

My friend Andy Spitz from Easy Swing, a belgian swing & charleston company (www.easy-swing.be), asked me if we could create some pictures together, he needed new content for his website and social media. 

As it would be a shoot based on collaboration, I had to have some benefit from it too, so I decided to do something I had never done before. We had a small budget to rent some gear, which would allow some technical freedom for once and realize everything without too much post production :-)

I like smoke machines, so that was nr.1 thing on my list, to give a bit of depth and texture to the images. My next thougt was to try to show some motion, to emphasize the dance act, so the idea came to combine shutter drag with strobes. I rented two 800w continouus lights, that I would then combine with an Elinchrome Ranger Strobe to freeze the action at the end of the exposure.

As I had used this technique in a similar fashion before, it came together rather quickly. The trick is to have a very 'short' long exposure and to have your flash fire at the right place. If needed ask your subjects to move faster or slower. Usually you will need to give a go sign to the dancers, so that everything is synched up:

ISO 100 - 50mm - 3sec - f11

ISO 100 - 50mm - 3sec - f11

ISO 100 - 24mm - 2sec - f11

It is quite interesting that in the last shot, the motion looks like fire. I still don't know how that is, but my guess is that as the 800w lights were incandescent, so very orange/warm compared to the strobes, it must have picked up on the skin during the exposure. I quite dig the effect actually.

We did some other looks aswell, only strobes + smoke machine:

ISO 200 - 50mm - 1/250sec. - f8

ISO 200 - 50mm - 1/250sec. - f8

I had one strobe to the left and one to the right: